cleft his enemy's head before the altar. There are often They murders at funerals on account of inheritances. celebrate the Carnival with extreme impropriety and folly for several weeks, and they have made a custom of various sins and extravagances at it, for they are men without conscience, who live in open sin, and make light of the marriage tie. We Germans, and other simple nations, are like a bare clout; but the Italians are painted and speckled with all sorts of false opinions, and disposed still to embrace many worse. Their fasts are more splendid than our most sumptuous feasts. They dress extravagantly; where we spend a florin on our clothes, they put down ten florins to have a silk coat. When they (the Italians) are chaste, it is sodomy with them. There is no society amongst them. No one trusts another; they do not come together freely, like us Germans; they do not allow strangers to speak publicly with their wives: compared with the Germans, they are altogether men of the cloister." These hard words are weak compared with the facts. Treasons, assassinations, tortures, open debauchery, the practice of poisoning, the worst and most shameless outrages, are unblushingly and publicly tolerated in the open light of heaven. In 1490, the Pope's vicar having forbidden clerics and laics to keep concubines, the Pope revoked the decree," saying that that was not forbidden, because the life of priests and ecclesiastics was such that hardly one was to be found who did not keep a concubine, or at least who had not a courtesan." Cæsar Borgia at the capture of Capua" chose forty of the most beautiful women, whom he kept for himself; and a pretty large number of captives were sold at a low price at Rome." Under Alexander VI, "all ecclesiastics, from the greatest to the least, have concubines in the place of wives, and that publicly. If God hinder it not," adds the historian, "this corruption will pass to the monks and religious orders, although, to confess the truth, almost all the monasteries of the town have become bawd-houses, without any one to speak against it." With respect to Alexander VI, who loved his daughter Lucretia, the reader may find in Burchard the description of the marvellous orgies in which he joined with Lucretia and Cæsar, and the enumeration of the prizes which he dis • See "Corpus historicorum medii ævi," G. Eccard, vol. ii.; Joh. Burchardí, high chamberlain to Alexander VI, "Diarium," p. 2134. Guicciardini, "Dell'istoria d'Italia," p. 211, ed. Panthéon Littéraire. tributed. Let the reader also read for himself the story of the bestiality of Pietro Luigi Farnese, the Pope's son, how the young and upright Bishop of Fano died from his outrage, and how the Pope, speaking of this crime as " a youthful levity,” gave him in this secret bull "the fullest absolution from all the penalties which he might have incurred by human incontinence, in whatever shape or with whatever cause." As to civil security, Bentivoglio caused all the Marescotti to be put to death; Hippolyto d'Este had his brother's eyes put out in his presence; Cæsar Borgia killed his brother; murder is consonant with their public manners, and excites no wonder. A fisherman was asked why he had not informed the governor of the town that he had seen a body thrown into the water; "he replied that he had seen about a hundred bodies thrown into the water during his lifetime in the same place, and that no one had ever troubled himself about it." "In our town," says an old historian, “ much murder and pillage was done by day and night, and hardly a day passed but some one was killed." Cæsar Borgia one day killed Peroso, the Pope's favorite, between his arms and under his cloak, so that the blood spurted up to the Pope's face. He caused his sister's husband to be stabbed and then strangled in open day, on the steps of the palace; count, if you can, his assassinations. Certainly he and his father, by their character, morals, complete, open and systematic wickedness, have presented to Europe the two most successful images of the devil. To sum up in a word, it was on the model of this society, and for this society, that Machiavelli wrote his "Prince." The complete development of all the faculties and all the lusts of man, the complete destruction of all the restraints and all the shame of man, are the two distinguishing marks of this grand and perverse culture. To make man a strong being, endowed with genius, audacity, presence of mind, astute policy, dissimulation, patience, and to turn all this power to the acquisition of every kind of pleasure, pleasures of the body, of luxury, arts, literature, authority; that is, to form and to set free an admirable and formidable animal, very lustful and well armed-such was his object; and the effect, after a hundred years, is visible. They tore one another to pieces like beautiful lions and superb panthers. In this society, which was turned into an arena, amid so many hatreds, and when exhaustion was setting in, the foreigner appeared: all bent beneath his lash; they were caged, and thus they pine away, in dull pleasures, with low vices, bowing their backs. Despotism, the Inquisition, the Cicisbei, dense, ignorance, and open knavery, the shamelessness and the smartness of harlequins and rascals, misery and vermin-such is the issue of the Italian Renaissance. Like the old civilizations of Greece and Rome, like the modern civilizations of Provence and Spain, like all southern civilizations, it bears in its bosom an irremediable vice, a bad and false conception of man. The Germans of the sixteenth century, like the Germans of the fourth century, have rightly judged it; with their simple common-sense, with their fundamental honesty, they have put their fingers on the secret plague-spot. A society cannot be founded only on the pursuit of pleasure and power; a society can only be founded. on the respect for liberty and justice. In order that the great human renovation which in the sixteenth century raised the whole of Europe might be perfected and endure, it was necessary that, meeting with another race, it should develop another culture, and that from a more wholesome conception of existence it might educe a better form of civilization. Section II.-Luther and the Reformation in Germany Thus, side by side with the Renaissance, was born the Reformation. It also was in fact a new birth, one in harmony with the genius of the Germanic peoples. The distinction between this genius and others is its moral principles. Grosser and heavier, more given to gluttony and drunkenness,' these nations them everything is done drinking; they drink in doing everything. There was not time during a visit to say three words before you were astonished to see the collation arrive, or at least a few jugs of wine, accompanied by a plate of crusts of bread, dished up with pep per and salt, a fatal preparation for bad drinkers. Then you must become acquainted with the laws which are afterwards observed, sacred and inviolable laws. You must never drink without drinking to some one's health; also, after drinking, you must offer the wine to him whose health you have drunk. You must never refuse the glass which is offered to you, and you must naturally drain it to its last drop. Re are at the same time more under the influence of conscience, firmer in the observance of their word, more disposed to selfdenial and sacrifice. Such their climate has made them; and such they have continued, from Tacitus to Luther, from Knox to Gustavus Adolphus and Kant. In the course of time, and beneath the incessant action of the ages, the phlegmatic body, fed on coarse food and strong drink, had become rusty, the nerves less excitable, the muscles less strung, the desires less seconded by action, the life more dull and slow, the soul more hardened and indifferent to the shocks of the body: mud, rain, snow, a profusion of unpleasing and gloomy sights, the want of lively and delicate excitements of the senses, keep man in a militant attitude. Heroes in the barbarous ages, workers to-day, they endure weariness now as they courted wounds then; now, as then, nobility of soul appeals to them; thrown back upon the enjoyments of the soul, they find in these a world, the world of moral beauty. For them the ideal is displaced; it is no longer amidst forms, made up of force and joy, but it is transferred to sentiments, made up of truth, uprightness, attachment to duty, observance of order. What matters it if the storm rages and if it snows, if the wind blusters in the black pine-forests or on the wan sea-surges where the sea-gulls scream, if a man, stiff and blue with cold, shutting himself up in his cottage, have but a dish of sourcrout or a piece of salt beef, under his smoky light and beside his fire of turf; another kingdom opens to reward him, the kingdom of inward contentment: his wife loves him and is faithful; his children round his hearth spell out the old family Bible; he is the master in his home, the protector, the benefactor, honored by others, honored by himself; and if so be that he needs assistance, he knows that at the first appeal he will see his neighbors stand faithfully and bravely by his side. The reader need only compare the portraits of the time, those of Italy and Germany; he will comprehend at a glance the two races and the two civilizations, the Renaissance and the Reformation: on one side a half-naked condottiere in Roman costume, a cardinal in his robes, amply draped, in a rich arm-chair, carved and adorned with heads of lions, foliage, dancing fauns, he himself full of irony, and voluptuous, with the shrewd and dangerous look of a poli flect a little, I beseech you, on these customs, and see how it is possible to cease drinking; accordingly, they never cease. In Germany it is a perpetual drinking-bout; to drink in Germany is to drink forever." tician and man of the world, craftily poised and on his guard; on the other side, some honest doctor, a theologian, a simple man, with badly combed locks, stiff as a post, in his simple gown of coarse black serge, with big books of dogma ponderously clasped, a conscientious worker, an exemplary father of a family. See now the great artist of the age, a laborious and conscientious workman, a follower of Luther's, a true Northman-Albert Dürer. He also, like Raphael and Titian, has his ideal of man, an inexhaustible ideal, whence spring by hundreds living figures and the representations of manners, but how national and original! He cares not for expansive and happy beauty: to him nude bodies are but bodies undressed: narrow shoulders, prominent stomachs, thin legs, feet weighed down by shoes, his neighbor the carpenter's, or his gossip the sausage-seller's. The heads stand out in his etchings, remorselessly scraped and scooped away, savage or commonplace, often wrinkled by the fatigues of trade, generally sad, anxious, and patient, harshly and wretchedly transformed by the necessities of realistic life. Where is the vista out of this minute copy of ugly truth? To what land will the lofty and melancholy imagination betake itself? The land of dreams, strange dreams swarming with deep thoughts, sad contemplation of human destiny, a vague notion of the great enigma, groping reflection, which in the dimness of the rough woodcuts, amidst obscure emblems and fantastic figures, tries to seize upon truth and justice. There was no need to search so far; Durer had grasped them at the first effort. If there is any decency in the world, it is in the Madonnas which are constantly springing to life under his pencil. He did not begin, like Raphael, by making them nude; the most licentious hand. would not venture to disturb one stiff fold of their robes; with an infant in their arms, they think but of him, and will never think of anybody else but him; not only are they innocent, but they are virtuous. The good German housewife, forever shut up, voluntarily and naturally, within her domestic duties and contentment, breathes out in all the fundamental sincerity, the seriousness, the unassailable loyalty of their attitudes and looks. He has done more; with this peaceful virtue he has painted a militant virtue. There at last is the genuine Christ, the man crucified, lean and fleshless through his agony, whose blood * See his letters, and the sympathy expressed for Luther. |