The StrangerWith the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” —from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward. |
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Page 5
... of parakeets. The director stopped at the door of a small building. "I'll leave you now, Monsieur Meur- sault. If you need me for anything, I'll be in my office. As is usually the case, the funeral is set for 0 THE STRANGER «
... of parakeets. The director stopped at the door of a small building. "I'll leave you now, Monsieur Meur- sault. If you need me for anything, I'll be in my office. As is usually the case, the funeral is set for 0 THE STRANGER «
Page 6
... stopped him. He said, "You don't want to?" I answered, "No." He was quiet, and I was embarrassed because I felt I shouldn't have said that. He looked at me and then asked, "Why not?" but without criticizing, as if he just wanted to know ...
... stopped him. He said, "You don't want to?" I answered, "No." He was quiet, and I was embarrassed because I felt I shouldn't have said that. He looked at me and then asked, "Why not?" but without criticizing, as if he just wanted to know ...
Page 20
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Page 33
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