The StrangerWith the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” —from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward. |
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Page 6
... chairs and some cross-shaped sawhorses. Two of them, in the middle of the room, were supporting a closed casket. All you could see were some shiny screws ... chair and then sat down right behind me. The nurse stood up and 0 THE STRANGER O.
... chairs and some cross-shaped sawhorses. Two of them, in the middle of the room, were supporting a closed casket. All you could see were some shiny screws ... chair and then sat down right behind me. The nurse stood up and 0 THE STRANGER O.
Page 9
... chairs and some black coffee." I asked him if he could turn off one of the lights. The glare on the white walls was ... chair creaking. I saw them more clearly than I had ever seen anyone, and not one detail of their faces or their ...
... chairs and some black coffee." I asked him if he could turn off one of the lights. The glare on the white walls was ... chair creaking. I saw them more clearly than I had ever seen anyone, and not one detail of their faces or their ...
Page 21
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Page 24
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