Paradise Lost, 1668-1968: Three Centuries of CommentaryEarl Roy Miner, William Moeck, Steven Edward Jablonski The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari |
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Page 37
But difficulties grow when we seek to understand the reach of his allusion: Thy
Verse created like thy Theme sublime. In Number, Weight, and Measure, needs
not Rhime. The reference here, and its implications, have received scant
attention.
But difficulties grow when we seek to understand the reach of his allusion: Thy
Verse created like thy Theme sublime. In Number, Weight, and Measure, needs
not Rhime. The reference here, and its implications, have received scant
attention.
Page 489
(CPW 1.812-14) For his epic Milton has an obliging Muse who "inspires / Easie
my unpremeditated Verse" (9.23-24). The ease of his "unpremeditated Verse"
does not apply to calm of mind about the versification of his epics. So we quickly
...
(CPW 1.812-14) For his epic Milton has an obliging Muse who "inspires / Easie
my unpremeditated Verse" (9.23-24). The ease of his "unpremeditated Verse"
does not apply to calm of mind about the versification of his epics. So we quickly
...
Page 491
Those who would reject the conception of submerged or blank verse sonnets (
hereafter simply "sonnets") should look again at that beautiful last speech in the
poem, Eve's final words, 1 2.610-23, "Whence thou returnst, and whither wentst, ...
Those who would reject the conception of submerged or blank verse sonnets (
hereafter simply "sonnets") should look again at that beautiful last speech in the
poem, Eve's final words, 1 2.610-23, "Whence thou returnst, and whither wentst, ...
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