Paradise Lost, 1668-1968: Three Centuries of CommentaryEarl Roy Miner, William Moeck, Steven Edward Jablonski The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari |
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Page 17
By focusing on the tradition of commentary, particularly in editions, we offer to
one aspect of our readers' thought a stable entity readily evoked by naming
Paradise Lost. But in considering, as our annotations constantly do, individual ...
By focusing on the tradition of commentary, particularly in editions, we offer to
one aspect of our readers' thought a stable entity readily evoked by naming
Paradise Lost. But in considering, as our annotations constantly do, individual ...
Page 31
This is scarcely possible without a grasp of numerous conceptual matters that
engendered a critical context for understanding and placing Paradise Lost. Many
besides Hume matter for that. We may assume that then as now differing readers
...
This is scarcely possible without a grasp of numerous conceptual matters that
engendered a critical context for understanding and placing Paradise Lost. Many
besides Hume matter for that. We may assume that then as now differing readers
...
Page 499
The FIrst of the VIsIons of God Although Milton draws on a variety of resources to
attain stylistic grandeur, readers' ... means more to a reader possessing
knowledge of Mulciber- Hephaestos- Vulcan and of Zeus's throwing him from
Heaven.
The FIrst of the VIsIons of God Although Milton draws on a variety of resources to
attain stylistic grandeur, readers' ... means more to a reader possessing
knowledge of Mulciber- Hephaestos- Vulcan and of Zeus's throwing him from
Heaven.
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