Paradise Lost, 1668-1968: Three Centuries of CommentaryEarl Roy Miner, William Moeck, Steven Edward Jablonski The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari |
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Page 38
Whatever was the nature of Marvell's fears in his controversy with Parker, writing
on Paradise Lost seems to produce a troubled poem. In the first of its three parts (
1-22), the Panegyrist addresses the Reader, in the second and third the Poet.
Whatever was the nature of Marvell's fears in his controversy with Parker, writing
on Paradise Lost seems to produce a troubled poem. In the first of its three parts (
1-22), the Panegyrist addresses the Reader, in the second and third the Poet.
Page 167
But the poet's learning, fancy, strong imagination, and elocution in it are
admirable, masterly, and superlative, especially in all Satan's soliloquies,
contrivances, and speeches. So are the characters, speeches, and actions of the
guardian ...
But the poet's learning, fancy, strong imagination, and elocution in it are
admirable, masterly, and superlative, especially in all Satan's soliloquies,
contrivances, and speeches. So are the characters, speeches, and actions of the
guardian ...
Page 473
There was a considerable lore of musicians who worked wonders with music.
Milton mentions them: Amphion, Arion, Apollo, and above all Orpheus. That
Thracian musician is still a metaphor for the beset poet in 7.32-39, but — after
getting ...
There was a considerable lore of musicians who worked wonders with music.
Milton mentions them: Amphion, Arion, Apollo, and above all Orpheus. That
Thracian musician is still a metaphor for the beset poet in 7.32-39, but — after
getting ...
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Bibliographic information
| Title | Paradise Lost, 1668-1968: Three Centuries of Commentary |
| Editors | Earl Roy Miner, William Moeck, Steven Edward Jablonski |
| Edition | illustrated |
| Publisher | Bucknell University Press, 2004 |
| Original from | the University of Michigan |
| Digitized | 11 Mar 2008 |
| ISBN | 0838755771, 9780838755778 |
| Length | 510 pages |
| Subjects | › › Literary Criticism / European / English, Irish, Scottish, Welsh Poetry / European / English, Irish, Scottish, Welsh |
| Export Citation | BiBTeX EndNote RefMan |