Paradise Lost, 1668-1968: Three Centuries of CommentaryEarl Roy Miner, William Moeck, Steven Edward Jablonski The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari |
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Page 133
[B-N] fThe simple mention of such a wonderful work as the bridge in question
rather excites curiosity than abates it, and does not prevent our surprise when
read in Book 10 of its construction. It is in reality a common thing with poets to
touch ...
[B-N] fThe simple mention of such a wonderful work as the bridge in question
rather excites curiosity than abates it, and does not prevent our surprise when
read in Book 10 of its construction. It is in reality a common thing with poets to
touch ...
Page 194
... Psalms 45.8, "out of the ivory palaces, whereby they have made thee glad"; etc.
], and in Ovid, Metamorphoses 4.185, "ivory doors." [N] fThe poet here hints that
all this attendance of Angels was designed only as a poetical embellishment.
... Psalms 45.8, "out of the ivory palaces, whereby they have made thee glad"; etc.
], and in Ovid, Metamorphoses 4.185, "ivory doors." [N] fThe poet here hints that
all this attendance of Angels was designed only as a poetical embellishment.
Page 295
[T] fThe discordant noise emphasized here contrasts with the "partial" harmony of
the devils' song in 2.552-55 and the cosmic harmony accessible to Adam and
Eve in 4.680-88 or, just before this, in 122-25. [EM] 244 loud lament. Spenser ...
[T] fThe discordant noise emphasized here contrasts with the "partial" harmony of
the devils' song in 2.552-55 and the cosmic harmony accessible to Adam and
Eve in 4.680-88 or, just before this, in 122-25. [EM] 244 loud lament. Spenser ...
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