Paradise Lost, 1668-1968: Three Centuries of CommentaryEarl Roy Miner, William Moeck, Steven Edward Jablonski The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari |
From inside the book
Results 1-3 of 74
Page 284
The only logical sense we can make of this is that "audibly" implies that others
besides the Son could hear, as if Raphael is emphasizing that he heard of this
most important phase of the creation. The Son would have no difficulty hearing.
The only logical sense we can make of this is that "audibly" implies that others
besides the Son could hear, as if Raphael is emphasizing that he heard of this
most important phase of the creation. The Son would have no difficulty hearing.
Page 307
The distribution of invocations in the ten book edition of PL (1667) has
numerological significance. [F] 1-5 No more of talk where God or Angel Guest /
With Man . . . Venial discourse unblam 'd. The opening five lines refer mainly to
Raphael's ...
The distribution of invocations in the ten book edition of PL (1667) has
numerological significance. [F] 1-5 No more of talk where God or Angel Guest /
With Man . . . Venial discourse unblam 'd. The opening five lines refer mainly to
Raphael's ...
Page 424
(129) Medina shows three main scenes: in back Raphael arriving at the bower of
Adam and Eve, in the middle Adam looking more terrified than awed by the
angel's descent, and in the foreground Adam and Eve at prayer. "Lowly they bow'
d ...
(129) Medina shows three main scenes: in back Raphael arriving at the bower of
Adam and Eve, in the middle Adam looking more terrified than awed by the
angel's descent, and in the foreground Adam and Eve at prayer. "Lowly they bow'
d ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
Adam and Eve Adam's Addison Aeneid allegorical allusion Argonautica Belial Bentley biblical Book called Chaos Christ citing Dunster citing Pearce citing Thyer commentary Cowper creation Dante darkness David Masson death devils divine Dryden earth Eclogues edition epic Eve's evil Excursus Exodus eyes fall fallen angels Father fire Fowler fThe garden Genesis Georgics glory God's gods golden Greek hath heaven heavenly Hebrew Hell Hesiod Holy Homer Hume Hume-N Iliad ISee IThe IThis Keightley King Latin light lines Lord means Metamorphoses Michael Milton mind Moses nature Newton night Ovid Paradise Lost passage Phineas Fletcher poem poem's poet Psalms Raphael readers refers Romans Satan says seems sense serpent Shakespeare simile Song speech Spenser Spirit Sylvester's Du Bartas Tasso thee things thir thou thought throne tion Todd tree unto Verity verse Virgil Vulgate words