Paradise Lost, 1668-1968: Three Centuries of CommentaryEarl Roy Miner, William Moeck, Steven Edward Jablonski The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari |
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Page 149
Pursuing the simile used before at 288 of Christ being a "second root" by whom
we are regenerated. [Hume] IRomans 6.4-5, "like as Christ was raised up from
the dead by the glory of the Father, even so we also should walk in newness of
life.
Pursuing the simile used before at 288 of Christ being a "second root" by whom
we are regenerated. [Hume] IRomans 6.4-5, "like as Christ was raised up from
the dead by the glory of the Father, even so we also should walk in newness of
life.
Page 153
... De Rerum Natura 2.412-13, "as smooth as the music which harpers awaken [
expergefacta] and shape on the strings with nimble fingers." [T, citing Wakefield]
372-4 1 5 Thee Father first they sung . . . nor from thy Fathers praise disjoine.
... De Rerum Natura 2.412-13, "as smooth as the music which harpers awaken [
expergefacta] and shape on the strings with nimble fingers." [T, citing Wakefield]
372-4 1 5 Thee Father first they sung . . . nor from thy Fathers praise disjoine.
Page 154
23], "straightway he turned him to his father's face, but halted some little space
away; for he could not bear the radiance at a nearer view." [N] 383 Thee next they
sang of all Creation first. Colos- sians 1.15, "the firstborn of every creature" or of ...
23], "straightway he turned him to his father's face, but halted some little space
away; for he could not bear the radiance at a nearer view." [N] 383 Thee next they
sang of all Creation first. Colos- sians 1.15, "the firstborn of every creature" or of ...
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