An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 8 pages |
From inside the book
Results 1-5 of 32
Page 63
... French , as not having so great a quantity of words derived from the Latin . But the Latin language itself , as well as all others , must yield to the unparalleled sweetness and co- piousness of the Greek . Tantò est sermo græcus latino ...
... French , as not having so great a quantity of words derived from the Latin . But the Latin language itself , as well as all others , must yield to the unparalleled sweetness and co- piousness of the Greek . Tantò est sermo græcus latino ...
Page 66
... French poesy , and the first who gave his countrymen any idea of a le- gitimate ode ; though his own pieces have hardly any thing but harmony to recommend them . The Odes of la Motte , though so highly praised by Sanadon , and by ...
... French poesy , and the first who gave his countrymen any idea of a le- gitimate ode ; though his own pieces have hardly any thing but harmony to recommend them . The Odes of la Motte , though so highly praised by Sanadon , and by ...
Page 68
... French and Italian , but even to the best Latin odes . In the pieces here commended , the figures are strong , and the transitions bold , and there is a just mix- ture of sentiment and imagery ; and particu- larly , they are animated ...
... French and Italian , but even to the best Latin odes . In the pieces here commended , the figures are strong , and the transitions bold , and there is a just mix- ture of sentiment and imagery ; and particu- larly , they are animated ...
Page 95
... French with so much address , and which he hath happily made so homogeneous , and of a piece with the rest of the work , that every thing seems to have been conceived in a continued train of thought by the very same person , confer as ...
... French with so much address , and which he hath happily made so homogeneous , and of a piece with the rest of the work , that every thing seems to have been conceived in a continued train of thought by the very same person , confer as ...
Page 100
... French and Italian classics . Du Bos * fixes the period of time at which , ge- nerally speaking , the poets and the painters have arrived at as high a pitch of perfection as their geniuses will permit , to be the age of thirty years ...
... French and Italian classics . Du Bos * fixes the period of time at which , ge- nerally speaking , the poets and the painters have arrived at as high a pitch of perfection as their geniuses will permit , to be the age of thirty years ...
Other editions - View all
Common terms and phrases
Abelard abounds Addison admirable Æneid ancient ANTISTROPHE appear Ariosto bard beautiful Boileau Cant canto celebrated character Chaucer circumstances composition critics Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath hero Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lover manner merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quæ Quintilian Racine racter reader remarkable Sappho satire says scene sentiments solemn Sophocles speak species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender Theocritus thou thought tion tragedy translated ture verses Virgil Voltaire words writer written
Popular passages
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. Ay me, I fondly dream ! Had ye been there...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 145 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 231 - Let wreaths of triumph now my temples twine, (The victor cried) the glorious prize is mine ! While fish in streams, or birds delight in air, Or in a coach and six the British fair, As long as Atalantis shall be read...
Page 313 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 219 - water glide away, And sip, with nymphs, their elemental tea. The graver prude sinks downward to a gnome, In search of mischief still on earth to roam. The light coquettes in sylphs aloft repair, And sport and flutter in the fields of air.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.