Lives of the English Poets, Volume 1 |
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Page 38
... numbers , and to have supplied smoothness of transition and con- tinuity of thought . It is urged by Dr. Sprat , that the irregularity of numbers is the very thing which makes that kind of poesy fit for all manner of subjects . But he ...
... numbers , and to have supplied smoothness of transition and con- tinuity of thought . It is urged by Dr. Sprat , that the irregularity of numbers is the very thing which makes that kind of poesy fit for all manner of subjects . But he ...
Page 49
... numbers , but the same diction , to the gentle Anacreon and the tempestuous Pindar . His versification seems to have had very little of his care ; and if what he thinks be true , that his numbers are unmusical only when they are ill ...
... numbers , but the same diction , to the gentle Anacreon and the tempestuous Pindar . His versification seems to have had very little of his care ; and if what he thinks be true , that his numbers are unmusical only when they are ill ...
Page 308
... numbers ; and all these raised to such a height as can scarcely be found in any other English composition . It is not , however , without faults ; some lines are inelegant or improper , and too many are irreligiously licentious . The ...
... numbers ; and all these raised to such a height as can scarcely be found in any other English composition . It is not , however , without faults ; some lines are inelegant or improper , and too many are irreligiously licentious . The ...
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Absalom and Achitophel Addison admiration afterwards ancient appears beauties better blank verse Cato censure character Charles Dryden compositions considered Cowley criticism death delight diction diligence dramatick Dryden duke Earl elegance endeavoured English excellence fancy favour friends genius heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement Juvenal kind King known labour Lady language Latin learning lines lived lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers observed opinion Paradise Lost passages passions performance perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise produced publick published reader reason relates remarks reputation rhyme satire says seems Sempronius sentiments shew shewn sometimes Sprat supposed Syphax Tatler thing thou thought tion told tragedy translation Tyrannick Love verses versification Virgil virtue Waller Whig words write written wrote