Lives of the English Poets, Volume 1 |
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Page 186
... elegance , and his melody , with equal alacrity , for Charles the Second . It is not possible to read , without some contempt and indignation , poems of the same author , ascribing the highest degree of power and piety to Charles the ...
... elegance , and his melody , with equal alacrity , for Charles the Second . It is not possible to read , without some contempt and indignation , poems of the same author , ascribing the highest degree of power and piety to Charles the ...
Page 205
... elegance and gaiety . He is never pathetick , and very rarely sublime . He seems neither to have had a mind much elevated by nature , nor amplified by learning . His thoughts are such as a liberal conversation and large acquaintance ...
... elegance and gaiety . He is never pathetick , and very rarely sublime . He seems neither to have had a mind much elevated by nature , nor amplified by learning . His thoughts are such as a liberal conversation and large acquaintance ...
Page 428
... elegance and gaiety to the aid of goodness ; and , if I may use expressions yet more awful , of having turned many to righteousness . ADDISON , in his life , and for some time afterwards , was considered by the greater part of readers ...
... elegance and gaiety to the aid of goodness ; and , if I may use expressions yet more awful , of having turned many to righteousness . ADDISON , in his life , and for some time afterwards , was considered by the greater part of readers ...
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Absalom and Achitophel Addison admiration afterwards ancient appears beauties better blank verse Cato censure character Charles Dryden compositions considered Cowley criticism death delight diction diligence dramatick Dryden duke Earl elegance endeavoured English excellence fancy favour friends genius heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement Juvenal kind King known labour Lady language Latin learning lines lived lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers observed opinion Paradise Lost passages passions performance perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise produced publick published reader reason relates remarks reputation rhyme satire says seems Sempronius sentiments shew shewn sometimes Sprat supposed Syphax Tatler thing thou thought tion told tragedy translation Tyrannick Love verses versification Virgil virtue Waller Whig words write written wrote