LEON. To bide upon't;-Thou art not honest: or, If thou inclin'st that way, thou art a coward; And therein negligent; or else a fool, That seest a game play'd home, the rich stake drawn, And tak'st it all for jest. CAM. It was my folly; if industriously I play'd the fool, it was my negligence, 2 HOXES honestly behind,] To hox is to ham-string. So, in Knolles' History of the Turks : 66 alighted, and with his sword hoxed his horse." King James VI. in his 11th Parliament had an act to punish "hochares," or slayers of horse, oxen, &c. STEEVENS. The proper word is, to hough, i. e. to cut the hough, or hamstring. MALONE. 3 Whereof the execution did cry out Against the non-performance,] This is one of the expressions by which Shakspeare too frequently clouds his meaning. This sounding phrase means, I think, no more than a thing necessary to be done. JOHNSON. I think we ought to read "the now-performance," which gives us this very reasonable meaning :- "At the execution Which oft affects the wisest: these, my lord, 'Tis none of mine. LEON. Have not you seen, Camillo, (But that's past doubt: you have; or your eye-glass Is thicker than a cuckold's horn ;) or heard, (For, to a vision so apparent, rumour Cannot be mute,) or thought, (for cogitation whereof, such circumstances discovered themselves, as made it prudent to suspend all further proceeding in it." HEATH. I do not see that this attempt does any thing more, than produce a harsher word without an easier sense. JOHNSON. 66 I have preserved this note, [Mr. Heath's] because I think it a good interpretation of the original text. I have, however, no doubt that Shakspeare wrote non-performance, he having often entangled himself in the same manner; but it is clear that he should have written, either-" against the performance," orfor the non-performance." In The Merchant of Venice, our author has entangled himself in the same manner: "I beseech you, let his lack of years be no impediment to let him lack a reverend estimation; "where either impediment should be cause, or to let him lack, should be, to prevent his obtaining. Again, in King Lear: 66 66 I have hope "You less know how to value her desert, "Than she to scant her duty." Again, in the play before us : - I ne'er heard yet, "That any of these bolder vices wanted "Less impudence to gain-say what they did, Again, in Twelfth-Night: "Fortune forbid my outside have not charm'd her! 4-(for cogitation. MALONE. Resides not in that man, that does not think IT,)] The folio, 1623, omits the pronoun-it, which is supplied from the folio, 1632. STEEVENS. Mr. Theobald, in a Letter subjoined to one edition of The My wife is slippery? If thou wilt confess, (Or else be impudently negative, To have nor eyes, nor ears, nor thought,) then say, As rank as any flax-wench, that puts to 66 6 Double Falshood, has quoted this passage in defence of a wellknown line in that play: "None but himself can be his parallel." "Who does not see at once (says he) that he who does not think, has no thought in him.” In the same light this passage should seem to have appeared to all the subsequent editors, who read, with Mr. Pope, that does not think it." But the old reading, I am persuaded, is right. This is not an abstract proposition. The whole context must be taken together. Have you not thought (says Leontes) my wife is slippery (for cogitation resides not in the man that does not think my wife is slippery)? The four latter words, though disjoined from the word think by the necessity of a parenthesis, are evidently to be connected in construction with it; and consequently the seeming absurdity attributed by Theobald to the passage, arises only from misapprehension. In this play, from whatever cause it has arisen, there are more involved and parenthetical sentences, than in any other of our author's, except, perhaps, King Henry VIII. MALONE. I have followed the second folio, which contains many valuable corrections of our author's text. The present emendation (in my opinion at least,) deserves that character. Such advantages are not to be rejected, because we know not from what hand they were derived. STEEVENS. Mr. Malone in his former edition had attributed this alteration, by mistake, to the second folio, instead of Mr. Pope; and Mr. Steevens, without examination, caught the opportunity of contending for the value of that copy. BoswELL. 5 a HOBBY horse:] Old copy-holy-horse. Corrected by Mr. Pope. MALONE. As deep as that, though true.] i. e. your suspicion is as great LEON. Is whispering nothing? Is leaning cheek to cheek? is meeting noses'? Kissing with inside lip? stopping the career Of laughter with a sigh? (a note infallible Of breaking honesty :) horsing foot on foot? Skulking in corners ? wishing clocks more swift? Hours, minutes? noon, midnight? and all eyes blind 9 With the pin and web, but theirs, theirs only, That would unseen be wicked? is this nothing? Why, then the world, and all that is in't, is nothing; The covering sky is nothing; Bohemia nothing; My wife is nothing; nor nothing have these nothings, If this be nothing. CALL Of this diseas'd opinion, and betimes; For 'tis most dangerous. LEON. Good my lord, be cur'd Say, it be; 'tis true. It is; you lie, you CAM. No, no, my lord. LEON. I say, thou liest, Camillo, and I hate thee; Canst with thine eyes at once see good and evil lie: a sin as would be that (if committed) for which you suspect her. WARBURTON. 7 - meeting noses?] Dr. Thirlby reads meting noses; that is measuring noses. 8 JOHNSON. the PIN and WEB,] Disorders in the eye. See King Lear, vol. x. p. 159, n. 3. STEEVENS. 9 - - theirs, theirs ] These words were meant to be pronounced as dissyllables. STEEVENS. of one GLASS,] i. e. of one hour-glass. MALONE. Сам. Who does infect her? LEON. Why he, that wears her like his medal', hanging About his neck, Bohemia: Who-if I Had servants true about me: that bare eyes Have bench'd, and rear'd to worship; who may'st see Plainly, as heaven sees earth, and earth sees heaven, How I am galled,—might'st bespice a cup1, 2 -like HIS medal,] The old copy has-her medal, which was evidently an error of the press, either in consequence of the compositor's eye glancing on the word her in the preceding line, or of an abbreviation being used in the MS. In As You Like It, and Love's Labour's Lost, her and his are frequently confounded. Theobald, I find, had made the same emendation.-In King Henry VIII. we have again the same thought: 66 66 a loss of her, That like a jewell has hung twenty years "About his neck, yet never lost her lustre." It should be remembered that it was customary for gentlemen, in our author's time, to wear jewels appended to a ribbon round the neck. So, in Honour in Perfection, or a Treatise in Commendation of Henrie Earl of Oxenford, Henrie Earl of Southampton, &c. by Gervais Markham, 4to. 1624, p. 18 :—“ he hath hung about the neck of his noble kinsman, Sir Horace Vere, like a rich jewel."-The Knights of the Garter wore the George, in this manner, till the time of Charles I. MALONE. I suppose the poet meant to say, that Polixenes wore her, as he would have worn a medal of her, about his neck.' Sir Christopher Hatton is represented with a medal of Queen Elizabeth appended to his chain. STEEVENS. 3 sense. more DOING :] The latter word is used here in a wanton MALONE. 4 - might'st BESPICE a cup,] So, in Chapman's translation of the tenth book of Homer's Odyssey: 66 With a festival "She'll first receive thee; but will spice thy bread |