THE SUMMING UP |
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Page 43
They destroy their persuasiveness ; you would not believe a man was very intent on ploughing a furrow if he carried a hoop with him and jumped through it at every other step . A good style should show no sign of effort .
They destroy their persuasiveness ; you would not believe a man was very intent on ploughing a furrow if he carried a hoop with him and jumped through it at every other step . A good style should show no sign of effort .
Page 141
For the drama is make - believe . It does not deal with truth but with effect . That willing suspension of disbelief of which Coleridge wrote is essential to it . The importance of truth to the dramatist is that it adds to interest ...
For the drama is make - believe . It does not deal with truth but with effect . That willing suspension of disbelief of which Coleridge wrote is essential to it . The importance of truth to the dramatist is that it adds to interest ...
Page 270
There is no reason to believe that what you desire exists , but it is a hard saying that you have no right to believe what you cannot prove ; there is no reason why you should not believe so long as you are aware that your belief lacks ...
There is no reason to believe that what you desire exists , but it is a hard saying that you have no right to believe what you cannot prove ; there is no reason why you should not believe so long as you are aware that your belief lacks ...
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able accept action actors admire appearance artist asked attention audience beauty believe better called cause character common concerned course critic deal difficult discover drama dramatist easy effect emotion English exciting existence experience eyes fact feeling follow forced gave give given hand hard human ideas imagination important instinct interest knew knowledge known least less literature live longer look matter meaning mind nature never novel novelist offer once one's passing perfect perhaps persons philosophers picture play pleasure possible present produced prose reader reason seemed seen sense sometimes sort speak spirit story success suppose taken tell theatre things thought tion told took truth turn universe wanted whole write written wrote young youth