1 publick notice their design and their objects of inquiry. We can think of no method, by which this would, more probably, be effected, than by an annual discourse in Boston, on the anniversary of the landing of our forefathers; an anniversary which has been long celebrated in this honourable manner at Plymouth, but in Boston only by the less respectable, though more expensive tribute of a publick dinner. If the experiment of an anniversary discourse were made, we are confident of its success, and, if unsuccessful, it would be easy to drop it. Different subjects of inquiry, relating to our early history, might be assigned to the different men of learning, of which that society is composed, to be treated in the manner, of which Dr. Belknap has already given a valuable specimen in his introductory discourse. If the subjects of discussion were previously announced or assigned, and sufficient time given for the writer to prepare to treat them with accuracy and learning, we are confident, that every man of learning, invited to this office, would labour to produce something, which the American publick would not easily suffer to perish. In this way too, the curiosity of a large audience would be excited, and considerable contributions raised for the funds of the society, which almost every one knows, have long remained most disgracefully low. We do not presume to suggest to the society, any topicks proper for this kind of discussion; but we throw out these hints to excite the attention of the gentlemen who compose the society, and from a sincere desire to promote its valuable objects. Surely, when every society for religious or charitable purposes is obliged to hear an annual discourse, which is hardly remembered beyond the day when it is delivered, the society most deserving of encouragement among us, for its exertions and its literary eminence, ought to have something, which might, at the same time, awaken the publick attention, and add to the literary treasures of New England; for however short or popular the discourse itself might be, the author would have an opportunity of enriching it with inquiries, discussions, and notes, in the form of an appendix; and if the whole were too learned to meet with an immediate sale, might make a portion of the historical collection. To those who have admired the singular poems of Lewis, Walter Scott, and others, under the whimsical titles of "The Cloud-King," "The Fire-King," &c. the following burlesque ballad may afford some amusement. THE PAINT-KING. FAIR Ellen was once the delight of the young; No damsel could with her compare; Her charms were the theme of the heart and the tongue, The beauty of Ellen, the Fair. But Ellen, though lovers in regiments threw Yet still did the heart of fair Ellen implore Like a sailor it seem'd on a desolate shore, With nor house, nor a tree, nor a sound, but the roar From object to object, still, still would she stray, Nay, rather than sit like a statue so still, When the rain made her mansion a pound, One morn, as the maid from her casement reclin'd, "And what can he do," said the maid with a sigh, I wish I could know it:" When suddenly by "Oh! sweet, lovely picture!" the fair Ellen sigh'd, Then under her white chin her bonnet she tied, Till the youth, looking back, met her eye. "Fair damsel,” said he, (and he chuckled the while), Then take it, I beg you, perhaps 'twill beguile Then Ellen the gift, with delight and surprise, From the cunning young stripling receiv'd. But she knew not the poison that enter'd her eyes, 'Twas a youth, o'er the form of a statue inclin'd; 'Twas the tale of the sculptor, Pygmalion of old; Fair Ellen remember'd and sigh'd, "Ah! could'st thou but lift from that marble so cold, She said when, behold, from the canvass arose She turn'd, and beheld on each shoulder a wing. Then high from the ground did the grim monster lift And he sped through the air, like a meteor swift, Now, suddenly sloping his hurricane flight, The air all below him becomes black as night, And the ground where he treads, as if mov'd with affright, Like the surge of the Caspian bends. "I am here!" said the fiend, and he thundering knock'd At the gates of a mountainous cave: The gates open'd wide, as by magick unlock'd, While the peaks of the mount, reeling to and fro, rock'd, Like an island of ice on the wave. "Oh! mercy!" cried Ellen, and swoon'd in his arms. But the Paint-King, he scoff'd at her pain. Prithee, love," said the monster, "what mean these alarms ?” She hears not, she sees not the terrible charms That wake her to horrour again. She opens her lids; but no longer her eyes Black and white, red and yellow, and blue. On a bright polish'd throne, of *prismatical spar, While he rear'd in his mouth a gigantick cigarr And anon, as he puff'd the vast volumes, were seen, In horrid festoons on the wall, Legs and arms, heads and bodies, emerging between ; "Ah me!" cried the damsel, and fell at his feet, "Must I hang on these walls to be dried ?" "Oh, no!" said the fiend, while he sprung from his seat, Into paint will I grind thee, my bride!" Then, seizing the maid by her dark auburn hair, Seven days, seven nights, with the shrieks of despair All cover'd with oil to the chin. On the morn of the eighth on a huge sable stone With a rock for his muller, he crush'd every bone; Now reaching his palette, with masterly care, This being a free country, I have taken the liberty, for the sake of the metre, to alter the word prismatick, as above! |