 | Samuel Johnson - English literature - 1774 - 374 pages
...Truth is, that the Spectators are always in their Sertfes, and know, from the firft Act to the laft, that the Stage is only a Stage, and that the Players are only Players. They come to hear a certain Number of Lines recited with juft Gefture and elegant Modulation. The Lines... | |
 | Samuel Johnson - English literature - 1774 - 412 pages
...Truth is, that the Spectators are always in their Senfes, and know, from the firft Aft to the laft, that the Stage is only a Stage, and that the Players are only Players. They come to hear a certain Number of Lines recited with juft Gefture and elegant Modulation. The Lines... | |
 | William Shakespeare - 1788 - 346 pages
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | John Dryden, Edmond Malone - English prose literature - 1800 - 591 pages
..."The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | John Dryden - 1800 - 624 pages
..." The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | William Shakespeare - 1803 - 494 pages
...field. The truth is, that the spectators are always in their senses, and know, from the first Act to the last, that the stage is only a stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | William Shakespeare - 1806 - 394 pages
...field. The truth is, that the spectators are always in their censes, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - English literature - 1806 - 376 pages
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - 1809 - 488 pages
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only play ers. They came to hear a certain number of lines recited with just gesture and elegant modulation.... | |
 | Samuel Johnson, Arthur Murphy - 1810 - 486 pages
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. modulation.... | |
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
