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in the appendix. I don't know whether you have studied political economy, but you saw what I said on page 398 about the Jersey fisheries?"

I bowed-I confess it-with the mean hope that this movement in the nape of my neck would be taken as sufficient proof that I had read, marked, and learned. I do not forgive myself for this pantomimic falsehood, but I was young and morally timorous, and Vorticella's personality had an effect on me something like that of a powerful mesmerizer when he directs all his ten fingers toward your eyes, as unpleasantly visible ducts for the invisible stream. I felt a great power of contempt in her if I did not come up to her expectations. "Well," she resumed, "you observe that not one of them has taken up that argument. But I hope I convinced you about the drag-nets?"

Here was a judgment on me. Orientally speaking, I had lifted up my foot on the steep descent of falsity, and was compelled to set it down on a lower level. "I should think you must be right," said I, inwardly resolving that on the next topic I would tell the truth.

"I know that I am right," said Vorticella. "The fact is that no critic in this town is fit to meddle with such subjects, unless it be Volvox, and he, with all his command of language, is very superficial. It is Volvox who writes in the Monitor. I hope you noticed how he contradicts himself? My resolution, helped by the equivalence of dangers, stoutly prevailed, and I said "No."

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"No! I am surprised. He is the only one that finds fault with me. He is a Dissenter, you know. The Monitor is the Dissenters' organ, but my husband has been so useful to them in municipal affairs that they would not venture to run my book down; they feel obliged to tell the truth about me. Still Volvox betrays himself. After praising me for my penetration and accuracy, he presently says I have allowed myself to be imposed upon, and have let my active imagination run away with me. That is like his dissenting impertinence. Active my imagination may be, but I have it under control. Little Vibrio, who writes the playful notice in the Medley Pie, has a clever hit at Volvox in that passage about the steeple-chase of imagination, where the loser wants to make it appear that the winner was only run away with. But if you did not notice Volvox's self-contradiction you

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would not see the point," added Vorticella, with rather a chilling intonation. "Or perhaps you did not read the Medley Pie notice? That is a pity. Do take up the book again. Vibrio is a poor little tippling creature, but, as Mr. Carlyle would say, he has an eye, and he is always lively."

I did take up the book again, and read as demanded. "It is very ingenions," said I, really appreciating the difficulty of being lively in this connection: it seemed even more wonderful than that a Vibrio should have an eye.

"You are probably surprised to see no notices from the London press," said Vorticella. "I have one-a very remarkable one. But I reserve it until the others have spoken, and then I shall introduce it to wind up. I shall have them reprinted, of course, and inserted in future copies. This from the Candelabrum is only eight lines in length, but full of venom. It calls my style dull and pompous. I think that will tell its own tale, placed after the other critiques."

People's impressions are so different," said I. "Some persons find Don Quixote dull."

"Yes," said Vorticella, in emphatic chest tones, “dullness is a matter of opinion; but pompous! That I never was and never could be. Perhaps he means that my matter is too important for his taste; and I have no objection to that. I did not intend to be trivial. I should just like to read you that passage about the drag-nets, because I could make it clearer to you."

A second (less ornamental) copy was at her elbow and was already opened, when to my great relief another guest was announced, and I was able to take my leave without seeming to run away from "The Channel Islands," though not without being compelled to carry with me the loan of "the marked copy," which I was to find advantageous in a reperusal of the appendix, and was only requested to return before my departure from Pumpiter. Looking into the volume now with some curiosity, I found it a very ordinary combination of the commonplace and ambitious, one of those books which one might imagine to have been written under the old Grub Street coercion of hunger and thirst, if they were not known beforehand to be the gratuitous productions of ladies and gentlemen whose circumstances might be called altogether easy, but for an uneasy vanity that happened to have been directed toward authorship. Its importance was that of a

polypus, tumor, fungus, or other erratic outgrowth, noxious and disfiguring in its effect on the individual organism which nourishes it. Poor Vorticella might not have been more wearisome on a visit than the majority of her neighbors, but for this disease of magnified self-importance belonging to small authorship. I understand that the chronic complaint of "The Channel Islands" never left her. As the years went on, and the publication tended to vanish in the distance for her neighbors' memory, she was still bent on dragging it to the foreground, and her chief interest in new acquaintances was the possibility of lending them her book, entering into all details concerning it, and requesting them to read her album of "critical opinions." This really made her more tiresome than Gregarina, whose distinction was that she had had cholera, and who did not feel herself in her true position with strangers until they knew it.

My experience with Vorticella led me for a time into the false supposition that this sort of fungous disfiguration, which makes Self disagreeably larger, was most common to the female sex; but I presently found that here too the male could assert his superiority and show a more vigorous boredom. I have known a man with a single pamphlet containing an assurance that somebody else was wrong, together with a few approved quotations, produce a more powerful effect of shuddering at his approach than ever Vorticella did with her varied octavo volume, including notes and appendix. Males of more than one nation recur to my memory who produced from their pocket on the slightest encouragement a small pink or buff duodecimo pamphlet, wrapped in silver paper, as a present held ready for an intelligent reader. "A mode of propagandism," you remark in excuse; "they wished to spread some useful corrective doctrine." Not necessarily: the indoctrination aimed at was perhaps to convince you of their own talents by the sample of an "Ode on Shakespeare's Birthday," or a translation from Horace."

Vorticella may pair off with Monas, who had also written. his one book-"Here and There; or, a Trip from Truro to Transylvania "—and not only carried it in his portmanteau when he went on visits, but took the earliest opportunity of depositing it in the drawing-room, and afterward would enter to look for it, as if under pressure of a need for reference, begging the lady of the house to tell him whether she had

seen "a small volume bound in red." One hostess at last ordered it to be carried into his bedroom to save his time; but it presently reappeared in his hands, and was again left with inserted slips of paper on the drawing-room table.

Depend upon it, vanity is human, native alike to men and women; only in the male it is of denser texture, less volatile, so that it less immediately informs you of its presence, but is more massive and capable of knocking you down if you come into collision with it; while in women vanity lays by its small revenges as in a needle-case always at hand. The difference is in muscle and finger-tips, in traditional habits and mental perspective, rather than in the original appetite of vanity. It is an approved method now to explain ourselves by a reference to the races as little like us as possible, which leads me to observe that in Fiji the men use the most elaborate hair-dressing; and that wherever tattooing is in vogue, the male expects to carry off the prize of admiration for pat tern and workmanship. Arguing analogically, and looking for this tendency of the Fijian or Hawaian male in the eminent European, we must suppose that it exhibits itself under the forms of civilized apparel; and it would be a great mistake to estimate passionate effort by the effect it produces on our perception or understanding. It is conceivable that a man may have concentrated no less will and expectation on his wristbands, gaiters, and the shape of his hat-brim, or an appearance which impresses you as that of the modern "swell," than the Ojibbeway on an ornamentation which seems to us much more elaborate. In what concerns the search for admiration at least, it is not true that the effect is equal to the cause and resembles it. The cause of a flat curl on the masculine forehead, such as might be seen when George the Fourth was king, must have been widely different in quality and intensity from the impression made by that small scroll of hair on the organ of the beholder. Merely to maintain an attitude and gait which I notice in certain club men, and especially an inflation of the chest accompanying very small remarks, there goes, I am convinced, an expenditure of physical energy little appreciated by the multitude-a mental vision of Self, and deeply impressed beholders, which is quite without antitype in what we call the effect produced by that hidden process.

No! There is no need to admit that women would carry

away the prize of vanity in a competition where differences of custom were fairly considered. A man cannot show his vanity in a tight skirt which forces him to walk sideways down the staircase; but let the match be between the respective vanities of largest beard and tightest skirt, and here the battle would be to the strong.

XVI.

MORAL SWINDLERS.

It is a familiar example of irony in the degradation of words that "what a man is worth" has come to mean how much money he possesses; but there seems a deeper and more melancholy irony in the shrunken meaning that popular or polite speech assigns to "morality" and "morals." The poor part these words are made to play recalls the fate of those pagan divinites who, after being understood to rule the powers of the air and the destinies of men, came down to the level of insignificant demons, or were even made a farcical show for the amusement of the multitude.

Talking to Melissa in a time of commercial trouble, I found her disposed to speak pathetically of the disgrace which had fallen on Sir Gavial Mantrap, because of his conduct in relation to the Eocene Mines, and to other companies ingeniously devised by him for the punishment of ignor ance in people of small means: a disgrace by which the poor titled gentleman was actually reduced to live in comparative obscurity on his wife's settlement of one or two hundred thousand in the consols.

"Surely your pity is misapplied," said I, rather dubiously, for I like the comfort of trusting that correct moral judgment is the strong point in woman (seeing that she has a majority of about a million in, our island), and I imagined that Melissa might have some unexpressed grounds for her opinion. "I should have thought you would rather be sorry for Mantrap's victims-the widows, spinsters, and hardworking fathers whom his unscrupulous haste to make him

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