Masculine Desire: The Sexual Politics of Victorian AestheticismBeginning with Tennyson's In Memoriam and continuing by way of Hopkins and Swinburne to the novels of Oscar Wilde and Thomas Hardy, Richard Dellamora draws on journals, letters, censored texts, and pornography to examine the cultural construction o |
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Contents
Tennyson the Apostles and In Memoriam | 16 |
Spousal Love in the Poetry of Gerard Manley Hopkins | 42 |
Pater at Oxford in 1864 Old Mortality and Diaphaneite | 58 |
Poetic Perversities of A C Swinburne | 69 |
Hopkins Swinburne and the Whitmanian Signifier | 86 |
Arnold Winckelmann and Pater | 102 |
John Ruskin and the Character of Male Genius | 117 |
Leonardo Medusa and the Wish to Be Woman | 130 |
Theorizing Homophobia Analysis of Myth in Pater | 167 |
Homosexual Scandal and Compulsory Heterosexuality in the 1890s | 193 |
The Subject of Sexual Indifference | 218 |
Notes | 224 |
246 | |
263 | |
272 | |
The New Chivalry and Oxford Politics | 147 |
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activity already Apollo appears argues Arnold artist aspects associated attempt attracted beauty become body century chap chapter character Christ Christian Cleveland context continuing criticism culture death Denys describes desire difference Dionysus discussion earlier early effect elements especially essay existence experience expression female figure final finds friendship gender Greek Hallam hand homosexual Hopkins Hopkins's human ideal indicates instance John later Leonardo letter Liberal lines living male male-male marriage masculine means Medusa mind moral Moreover myth nature occurs Oxford passage Pater poem poet poetry political position possibility practices provides published question Quoted refers regard relation religious remarks Renaissance rhetoric Ruskin scandal seems sense sexual shared social Solomon suggests Swinburne Symonds takes Tennyson thing tion tradition turn Victorian Whitman Wilde Winckelmann woman women writing young
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