In Small Proportions: A Poetics of the English Ayre, 1596-1622Based on Edward Doughtie's seminal critical edition, Lyrics from English Airs, 1596-1622 (Harvard University Press, 1970), and intended as a complement to it, In Small Proportions provides the first extended examination of the ayre's literary devices and attributes. Its goal is to elaborate a poetics of the ayre as a blend of music and text - a means by which scholars, students, performers, and cultural historians may interpret the ayre's lyrics through a heightened understanding of the distinctive literary features that assure the genre a unique place in the cultural achievements of the English Renaissance. |
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Contents
List of Illustrations | 11 |
1 | 19 |
THE HIGHEST KEY OF PASSION | 71 |
3 | 80 |
5 | 146 |
6 | 191 |
7 | 217 |
POSTLUDE | 249 |
385 | |
Common terms and phrases
aesthetic associated audience ayres beauty Booke of Songes Campion century characteristics composers context conventional courtly create critical cultural death defined described desire discussion distinctive doth Doughtie Dowland effect Elizabethan emotional English especially established evident example experience expression eyes figure final function further grief harmony hart Ibid important inexpressibility interpretive John language literary loue lover lute song lyric means metalepsis metaphor metaphysical metrical mind musical nature negative notion occurs Orpheus paradox passion pattern performance perhaps phrase play poem poem's poet poet's poetic poetry political possible present produces question reading relation remains Renaissance represent rhetorical Robert sense setting signifies social songbooks Songes or Ayres sorrow soul sound speak stanza strategies stress structures subversive suggests symbolic third Thomas thoughts tradition trope true tunes understanding University Press verse voice